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As a student at the Umbra Institute, I was introduced to learning through a new lens. Reading textbooks and taking tests were not part of the curriculum, because my professor understood the beneficial impact of collaboration, internal reflection and involving creative play-like aspects into the classroom. The Multicultural Psychology Program (MPP) gave me a place to challenge my socially constructed beliefs of human nature, and develop a sense of what people and especially children need to be successful, but also happy in life. This blog integrates Peter Gray’s thinking about childhood creativity and my own childhood experience to show the importance of kids needing to act like kids. 

Like most young kids growing up, I too was wildly creative, or so I thought. I was in parent-child music classes before I could talk, playing the piano before I started kindergarten, and playing the cello in third grade when it was a foot taller than me. I loved playing music because it was what I was trained to do. I was good at it. It was also the only creative outlet that my parents supported. I continued to play the cello throughout middle school, I joined an honors orchestra when I went to high school and finished high school playing in the San Diego Youth Symphony. These accomplishments are accompanied by memories that I wouldn’t trade for the world, but there’s a catch. By the end of high school, I realized that I had just devoted 12 years of my life to something that I didn’t love. Somewhere between the daily practice, bi-weekly lessons, weekly rehearsals and quarterly performances, I lost the creative passion for playing music that once filled my life with joy. It is sad to say that most young adults can probably think of a passion in their life that they fell out of love with because of a build up of external factors. For me, it was the amount of pressure my family put on me to succeed, as well as the demanding and overly structured nature of my adult superiors, that eventually made playing the cello an unwanted responsibility.

Author Peter Gray in the book “Free to Learn” offers insight into how developing children in today’s society lack the freedom and adventure that older generations remember as their childhood. Gray describes one absolute truth about mental illnesses – “they correlate strongly with people’s sense of control or lack of control over their own lives.” Young people are not allowed to express their creativity in the ways that make them feel alive. I used to love playing songs from musicals and pop songs that I would hear on the radio. I would practice those for hours on end. I even joined a string quintet where all we played were songs from Disney movies. I had the most fun playing the cello in that one year than ever in my life. While I was completely content with playing fun music, this did not meet the expectations of my family, teachers and conductors; and so I played Bach, Haydn, and Dvorak. Parents and teachers today want their children to succeed so much that they feel obligated to guide these kids into specific skills and interests that will give them the tools to be great later in life. This is a great idea to an extent, because kids should not be giving up their excitement for life, to make their parents feel like they are doing the right thing. 

The streets, in the eyes of parents, are getting more dangerous and the universities are unarguably getting more selective. The current response to these issues has been to replace outside play with increased use of technology, and to increase the importance of standardized test scores. It is no coincidence that kids and teens have outrageously high rates of anxiety and depression. Their childish creativity, imagination and curiosity is being sucked out of them by demanding school systems and overly eager parents, and replaced with anxiety and a lack of independence. 

Gray’s theme throughout the book is that kids have inherent drives to be creative, to play, and to be independent. When those drives are supported, kids learn about the world and about themselves in ways that define their future. Now, it’s not likely that I would have been the next Yo-Yo Ma if my parents and teachers hadn’t pushed me so hard to play the cello, but because of my internal motivation and love of music, the external pressures to excel reduced my feelings of the control and freedom I had over this hobby of mine. There is a level of pressure that is helpful when trying to succeed, and some people are able to reach great success when put under immense pressure, but passion and creative enjoyment are things best developed through intrapersonal motivation.


Lauren Weber is an undergraduate student at the University of Colorado Boulder. She will graduate in 2023 with a major in psychology and minors in business and sociology. Lauren is passionate about helping those in need and plans to pursue a career in Nonprofit Management post graduation. She also loves to hike and camp, and hopes to visit all of the National Parks in the US. 

At Umbra we very much value learning through experience and community. For this reason, Umbra offers students a wide range of volunteering and community engagement opportunities that not only enhance the quality of their abroad time, but also contribute to the community they’re actively living in. Among the many, Solidarity Purchasing volunteering is one of the activities offered at Umbra thanks to Fuori di Zucca, a local Solidarity Purchasing Group we’re extremely happy to collaborate with.

Fuori di Zucca is a Solidarity Purchasing Group born in 2015 in Perugia: “We were only 5 people at the beginning. We are now 100 associates and 12 local producers”, says Domenico Lizzi, founder and current President of the Association. You might be wondering, at this point, what a Solidarity Purchasing Group is. We didn’t have it clear at the beginning either, but Domenico helped us understanding. “A Solidarity Purchase Group is aimed at purchasing goods (in this case, agri-food goods) from local and small producers who are respectful of the environment and the people involved in the production chain, and then at selling them at the group’s associates”. Of course, the involved producers are not chosen randomly: “Back in 2016, we started defining the ethical and environmental standards we wanted our producers to respect. Every time we get in touch with a new or potentially new producer, we visit their production site and establish a deep trustful relationship to make sure these standards are respected”, explains Domenico. Even without complex and expensive quality labels, it is reciprocated trust and well-oiled internal control that guarantees both ethical and agricultural quality.

“The most important message we want to convey to people is that if we, as a community, get organized, we can all eat high quality products at a price that is affordable for everyone, and fair for the producers”. In fact, Fuori di Zucca’s associates (and, hence, “clients”) are all kinds of people: students, middle class families, single workers, the elderly, and also disadvantaged people. In this regard, the association also provides groceries to five families in need. “It is undoubtful that the ethical basis of our Association is a core part of what we do. At the same time, this project couldn’t be economically sustainable and competitive with the great distribution chains if we couldn’t rely on the actual quality of the products we sell”.  Quality and fresh food products ore, in the end, the reason why Fuori di Zucca is so successful and widely participated.

Last year, Umbra Students had the chance to learn how such a project works and to be part of it. “It was a pleasure to have them here, as well as a great help for us”. Students managed to overcome linguistic barriers and to discover the actual purpose of the initiative, also choosing to buy their groceries at the weekly Fuori Di Zucca distribution market. “A positive and  healthy approach to food is, luckily, widely spreading at the moment, of course also in the US. At the same time, many of the Umbra students had never actually experienced a similar project. I really hope this experience gave them something to bring back home.” This semester’s volunteering session is about to start, and any feedback or suggestions from Umbra’s students on what Fuori di Zucca is doing will be more than encouraged and welcome. See you all there soon!

 

Debora Del Cogliano for The Umbra Institute
Domenico Lizzi for Fuori di Zucca

Umbra’s new Italian 101 textbook is many things. However, it is for sure not yet another generic Italian grammar textbook. Instead, the Umbra Italian faculty wanted a book tailored on the typical needs and experiences of US study abroad students.

 

Umbra’s professors of Italian have used a number of standard textbooks over the years: QuiItalia. Espresso. Ciao Italia. But now Italian 101 students at The Umbra Institute have a new book with Umbra’s logo on its cover: Bulo! The name – Perugian dialect for “Cool!” – represents what’s inside: a textbook that is not just a tool to learn the agreement of subjects and verbs or the passato prossimo, but rather a vehicle of cultural immersion into Perugian life.

Students in Fall 2021 pointed out that they needed a textbook that was calibrated to their experience: rather than have all the vocab for viaggiare in Week 7 (linked to the unit on the past tense), they needed it at the beginning of the semester. The Umbra professors borrowed an idea from their colleagues at Umbra’s sibling institution, ISI Florence: to write a brand new textbook. And the idea of Bulo was born. 

Bulo’s thirteen chapters mirror an Umbra students’ thirteen weeks in Perugia and Italy. Vocab on how to read train schedules, how to order in a restaurant, and how to ask for things at a deli counter come in the first intensive week, not buried in Week 7. The photos are of Perugia and the dialogues are about going to local cafes and walking through Perugian streets. In addition to Perugia making cameos in the exercises, the city’s customs, traditions, and foods are featured in special sections on culture. Bulo is also at the cutting edge of Italian society: in addition to grammar and vocab, students learn about how Italians (who speak a language in which each noun is either masculine or feminine) have tackled making their language less gendered. 

“Bulo celebrates the Italian language and culture as direct, living, concrete experiences” said Professor Cavicchi, member of Umbra’s Italian Faculty. “As a teacher and author, I can say that Bulo is an unconventional handbook: it forces students to get up from their desks , put down their pens and test themselves along the city streets.”

 

Director Ph.D Zachary Nowak
The Umbra Institute Italian Faculty